Italian Mannerist Painter, 1503-1572 Agnolo di Cosimo (November 17, 1503 ?C November 23,1572), usually known as Il Bronzino, or Agnolo Bronzino (mistaken attempts also have been made in the past to assert his name was Agnolo Tori and even Angelo (Agnolo) Allori), was an Italian Mannerist painter from Florence. The origin of his nickname, Bronzino is unknown, but could derive from his dark complexion, or from that he gave many of his portrait subjects. It has been claimed by some that he had dark skin as a symptom of Addison disease, a condition which affects the adrenal glands and often causes excessive pigmentation of the skin.  Related Paintings of Agnolo Bronzino :. | Portrait of Eleanor of Toledo and Her Son | Portrait of Cosimo I de Medici | Eleonora di Toledo col figlio Giovanni | portratt av isabella di medici | The Sacred Family Second half of the century XVI |
Related Artists:
Cogghe Remy
Belgian , Mouscron 1854-Roubaix 1935
LEDESMA, Blas de
Spanish painter documented 1602-1614 in Granada,Spanish painter. He is known to have worked in Granada from 1602, and in 1614 he designed a stucco vault decoration for the Alhambra. Archival sources testify to his renown as a painter of decorative fresco grotesques (untraced) and still-lifes. His activity as a still-life painter remains debatable, partly because he has been confused with Blas de Prado and also because of Torres Marten's controversial attributions. Ledesma's only unanimously accepted autograph painting is Still-life with Cherries and Flowers (Atlanta, GA, High Mus. A.), signed in Granada. A highly decorative painting, it shows none of the sophistication of still-lifes by Juan Senchez Cot?n, in Granada from 1603. It is painted meticulously and drily. Depicting a severely drawn, rather flat basket on a narrow ledge flanked by flowers behind it, the rigorously symmetrical composition is relieved only by soft lighting and the studied disarray of some fallen cherries. Two other unsigned and poorly preserved still-lifes of analogous subject-matter have been attributed to Ledesma
Jean-Baptiste Capronnier
(1814-1891) was a Belgian stained glass painter. Born in Brussels in 1814, he had much to do with the modern revival of glass-painting, and first made his reputation by his study of the old methods of workmanship, and his clever restorations of old examples, and copies made for the Brussels archaeological museum. He carried out windows for various churches in Brussels (including the Église Royale Sainte-Marie), Bruges, Amsterdam and elsewhere, and his work was commissioned also for France, Italy and England. At the Paris Exhibition of 1855 he won the only medal given for glasspainting. He died in Brussels in 1891.